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Category Archives: Movie Reviews 1940s

The Wolf Man

From the video case: Lon Chaney, Jr. portrays Larry Talbot, who returns to his father’s (Claude Rains) ancient castle in Wales and meets a beautiful woman (Evelyn Ankers) in the nearby village. One fateful night, Talbot escorts her and her friend Jenny to a local carnival where they meet a mysterious gypsy fortune teller. Soon, Jenny’s fate is revealed when she is attacked by a vicious wolf.

Talbot clubs the wolf to death with his silver-handled cane, but not before he is badly bitten and the curse of the werewolf is upon him.

Foggy atmospheres, elaborate settings and a chilling musical score enhance this haunting classic co-starring Bela Lugosi and Maria Ouspenskaya. (1941, b&w)

Mark says: Even as a kid, I was not so much frightened of the wolf man as I was fascinated by him. Lon Chaney’s (The Alligator People, The Mummy’s Tomb) mannerisms and appearance reminded me of my father, which made the film more personal to me. I’ve had a fondness for werewolves ever since.

I am still drawn to Chaney’s sympathetic portrayal of Larry Talbot, a man haunted by the past and returning to his father’s estate to make good. Of course, Larry Talbot is not completely innocent. After all, he first spies on Gwen (Evelyn Ankers; Son of Dracula, The Ghost of Frankenstein), in her bedroom through a telescope lens, and then continues to woo her even after she makes it clear that she is engaged to be married. Still, Larry is a likable chap, and we don’t wish him any harm.

Claude Rains (The Invisible Man) turns in a fine performance as Larry’s authoritative father. However, I’ve always thought it humorous how Lon Chaney towers above his movie father. There’s not much of a family resemblance, but the two work well together as father and prodigal son.

This film also boasts other screen greats like Bela Lugosi (Dracula, Bride of the Monster), who, in my humble opinion, plays a better gypsy/werewolf than a vampire, and Maria Ouspenskaya, who adds so much to this movie with her portrayal of the gypsy woman, that it would be a crime not to mention her in this review.

The Wolf Man is filled with great Gothic atmosphere, and though the story can drag at times, it manages to hold our interest. Perhaps Chaney’s wolf man is not the most frightening of monsters, but he inspires more dread than the beast in Werewolf of London (Universal’s first werewolf film), who takes the time to put on a coat and hat before going out to kill.

The Wolf Man is produced and directed by George Waggner.

I recommend The Wolf Man Legacy Collection from Universal to those of you interested in this movie.

Scene to watch for: After Larry Talbot and his father, Sir John, agree that there will be “no more reserve” between them, Larry calls his father “sir” and then they share a stiff handshake.

Line to listen for: “The way you walked was thorny through no fault of your own. For as the rain enters the soil, and the river enters the sea, so tears run to their predestined end. Your suffering is over. Now find peace for eternity, my son.”

Trivia: Evelyn Ankers, the alluring female lead in The Wolf Man, later married B-movie favorite, Richard Denning (Creature from the Black Lagoon, Target Earth, The Black Scorpion).

Mark’s Rating: ! ! ! ! out of 5.



The Ape

From the DVD case: An evil doctor, obsessed with curing a young woman of a dreadful disease, goes around injecting people with spinal fluid. (1940, b&w)

Mark says: I have to begin by apologizing for the DVD description posted above. I’ve seen worse, believe it or not, but this one is truly atrocious. Not only does it sound like it was written by a second grader, but it is inaccurate as well. It comes from one of those “Family Value Collection” DVDs that you find at places like The Dollar Tree around Halloween. Mine came as a second feature combined with Lugosi’s The Ape Man. For 50 cents a picture you really can’t go wrong, but posting such an inane description on my site is a little embarrassing.

Let me give you a more accurate synopsis:

Boris Karloff (Frankenstein, The Body Snatcher) stars as Dr. Bernard Adrian, a dedicated scientist and physician who makes his residence in a tiny town with small-minded people. After losing his wife and daughter to a deadly “paralysis epidemic,” Dr. Adrian is obsessed with finding a cure for the disease (strongly resembling polio, but it is never called by name in the film).

A young woman in the town, Miss Frances Clifford (Maris Wrixon), is wheelchair-bound by the affliction. Dr. Adrian, noting a strong resemblance between Frances and his daughter, dedicates himself to curing the adolescent. However, the townsfolk are suspicious of the physician. Particularly suspicious is Frances’s boyfriend, Danny Foster, played by Gene O’Donnell (The Devil Bat). Danny not only distrusts Dr. Adrian, but he’s annoyed by Frances’s increasing devotion to the man.

By now we’re wondering how an ape is ever going to work its way into this story, but be patient.

Dr. Adrian discovers (through experiments he has performed on local pets) that spinal fluid injected into the afflicted patient will cure the paralysis. The only problem is obtaining human spinal fluid for his human patient.

Nearby, a ferocious gorilla (there he is!) in a traveling circus escapes and attacks his sadistic keeper. Dr. Adrian, realizing the keeper is going to die, taps his spinal fluid. Unfortunately, Dr. Adrian drops the vile rendering the fluid useless.

Meanwhile, the gorilla appears at the good doctor’s house and we witness Dr. Adrian kill the beast. No one but the doctor’s housekeeper (Gertrude Hoffman) is aware that the ape has been killed.

Strangely, the ape still makes appearances in the town and even kills some of the local riff-raff. Simultaneously, Dr. Adrian mysteriously finds a supply of spinal fluid. With each injection, young Frances finds herself getting stronger.

You don’t have to be an astute viewer to realize that Dr. Adrian is using the gorilla’s hide as a disguise to procure victims for his spinal fluid supply. What’s amusing is how the movie treats the de-masking of the ape as some type of epiphany. I doubt anyone shouts out, “Ah-ha!” when they see Karloff’s face revealed. Still, I suppose a little mystery had to be feigned.

The Ape is, for the most part, an unimpressive bit of cinema. Perhaps it was the success of King Kong that inspired filmmakers of the era to include a man in a gorilla suit whenever a picture lacked pizazz. Personally, I find apes (most movie versions, anyway) to be decidedly dull. I would never want to come face to face with such a creature, but compared to what else can be found in the world of horror theater, the ape is fairly humdrum. They also have a way of dating a film.

The Ape, KarloffWhat The Ape does have to offer is Karloff’s portrayal of Dr. Adrian. For such a cheap production, Karloff’s character is wonderfully complex. Initially, we sympathize with Dr. Adrian. He seems misunderstood, and though not socially graceful, he appears to be a good person working for a commendable cause. We find later, though, that Dr. Adrian’s sense of ethics is a bit askew.

It’s interesting to note the slow disintegration of Dr. Adrians moral code. His first “victim” is a sadistic animal keeper who was likely going to die anyway. When the doc needs more spinal fluid, he has to actually murder someone; so he chooses a local scoundrel despised by the community. However, when he gets really desperate, he attacks a random victim who has not done anyone harm. Ultimately, Dr. Adrian’s downfall is caused by a “the end justifies the means” philosophy.

And what of Miss Frances? Does she ever walk again? That’s one mystery I wont reveal.

But I bet you can guess.

Look for Henry Hall (The Flying Serpent, The Mad Monster) as Sheriff Jeff Halliday, and Selmer Jackson (The Atomic Submarine) in the role of Dr. McNulty. That’s famous ape actor, Ray “Crash” Corrigan (The Monster and the Ape, The White Gorilla) in the monkey suit.

The Ape is directed by William Nigh, from a script by Curt Siodmak (Earth vs. the Flying Saucers, I Walked with a Zombie), adapted from the play by Adam Shirk.

Scene to watch for: Dr. Adrian and Danny load Frances and her wheelchair onto the back of truck like a piece of freight.

Line to listen for: “Do apes ever return to the scene of the crime?”

Bonus: Download The Ape for free at the Internet Archive.

Mark’s Rating: ! ! ½ out of 5.


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